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Author Topic: Ogono's Illustrations  (Read 841 times)

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Offline Ogono

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Ogono's Illustrations
« on: November 14, 2017, 05:48:04 PM »
 :D Hey Peeps, I'm a Haitian manga artist, named Marcus Fenelon. I run a Youtube channel called the Ogono Art Family!   I have a comic series called, Osca. It updates every Saturday Morning on Tapas!

Also,  I'm open for paid comic projects or  minor art commissions. I can bring your vision to life!  Here are examples of my artwork! Nice to see you all! :D

My Gmail: mfenelon77
or
Private Message Me









[img width=768 height=1040https://pre00.deviantart.net/8ba6/th/pre/f/2018/003/2/8/38_new_by_ogono-dbyt0y7.jpg]http://[/img]








DOUBLE SPREAD PAPER








« Last Edit: February 22, 2018, 07:40:23 PM by Ogono »

Offline devola

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Re: Ogono's Illustrations
« Reply #1 on: November 16, 2017, 11:19:36 AM »
Your aesthetic is quite unique and I love how interesting the angles that you choose to frame each shot with are! Keep up the great work!

Offline Ogono

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Re: Ogono's Illustrations
« Reply #2 on: November 19, 2017, 11:45:26 AM »
Thanks a bunch, devola! ^-^

Offline Ogono

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Re: Ogono's Illustrations
« Reply #3 on: November 19, 2017, 11:47:13 AM »
« Last Edit: December 02, 2017, 06:41:09 PM by Ogono »

Offline suupertramp

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Re: Ogono's Illustrations
« Reply #4 on: November 21, 2017, 08:49:53 AM »
awesome!
this looks traditionally coloured? is so then props to you because i cant stand physically colouring :P
very cool looking manga too :P

Offline Ogono

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Re: Ogono's Illustrations
« Reply #5 on: November 22, 2017, 02:26:13 PM »
awesome!
this looks traditionally coloured? is so then props to you because i cant stand physically colouring :P
very cool looking manga too :P

Yup, it's used with Copic Markers. It's seen a lot in manga haha. & Thank you, suupertramp! :)

Offline Ogono

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Re: Ogono's Illustrations
« Reply #6 on: November 22, 2017, 02:34:53 PM »
Your aesthetic is quite unique and I love how interesting the angles that you choose to frame each shot with are! Keep up the great work!

Thanks a bunch, devola! ^-^

Offline legomaestro

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Re: Ogono's Illustrations
« Reply #7 on: November 26, 2017, 11:44:24 AM »
Pretty cool manga there Ogono. Love how One Piece it looks. Interesting character designs and backgrounds. Welcome to mangaraiders!

Offline Ogono

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Re: Ogono's Illustrations
« Reply #8 on: December 02, 2017, 06:36:50 PM »
Pretty cool manga there Ogono. Love how One Piece it looks. Interesting character designs and backgrounds. Welcome to mangaraiders!

 I'd have replied earlier, but I don't get notified for some reason.  :-\
Thanks Lego! One Piece has influences in my style! Along with a few other manga styles I studied from.  :)

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Re: Ogono's Illustrations
« Reply #9 on: December 12, 2017, 09:18:32 PM »

Online MahluaandMilk

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Re: Ogono's Illustrations
« Reply #10 on: December 15, 2017, 09:26:09 PM »
Wow! I'm certainly impressed with how dynamic your perspective work is! That's a lot of practice gone into that, I'm sure. As someone who likes to use markers myself, I'd like to offer a couple of tips based on what I'm seeing. I'll be referring to your most recent post to try to make this clear, since I know that text can get confusing quickly when trying to explain visual media.

This observation applies to the hand and face, but not quite so much on the fur and clothing. I see a lot of places where the marker has overlapped itself and gotten darker in places that perhaps weren't meant to be. I also see that on the furry sections, this happens a lot less, and it looks like what you do is start from the darkest areas where the color would be and then built outward. This tactic tends to work really well with markers. Now, here's where it's going to get tricky for me to explain...

I think what's happening with the marker is that over larger surface areas, you may be making too short of strokes, or too many short strokes. Marker can be a brutal media for short strokes. It can be great for textures, but for smoother surfaces like skin, following along the 3d shape's rises and falls can be frustrating.

Try trusting yourself with the longer strokes a bit more--have confidence in yourself. You're clearly very skilled already, and this is a minor thing that is mostly a trick of the media. I know that good art markers are hard to come by, otherwise I'd suggest doing pages of simple large 3D forms like spheres, cones, and cubes with different textures to experiment with line length and thickness to achieve minimal overlap where you don't want it to be. Since they're so expensive though, I totally understand if the very thought of burning that much ink is upsetting.

Keep up the good work! I'm so glad to see some good full piece trad art on here. Most of the full works here are digital, so this is very refreshing.

Offline Ogono

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Re: Ogono's Illustrations
« Reply #11 on: December 24, 2017, 12:27:27 PM »
Wow! I'm certainly impressed with how dynamic your perspective work is! That's a lot of practice gone into that, I'm sure. As someone who likes to use markers myself, I'd like to offer a couple of tips based on what I'm seeing. I'll be referring to your most recent post to try to make this clear, since I know that text can get confusing quickly when trying to explain visual media.

This observation applies to the hand and face, but not quite so much on the fur and clothing. I see a lot of places where the marker has overlapped itself and gotten darker in places that perhaps weren't meant to be. I also see that on the furry sections, this happens a lot less, and it looks like what you do is start from the darkest areas where the color would be and then built outward. This tactic tends to work really well with markers. Now, here's where it's going to get tricky for me to explain...

I think what's happening with the marker is that over larger surface areas, you may be making too short of strokes, or too many short strokes. Marker can be a brutal media for short strokes. It can be great for textures, but for smoother surfaces like skin, following along the 3d shape's rises and falls can be frustrating.

Try trusting yourself with the longer strokes a bit more--have confidence in yourself. You're clearly very skilled already, and this is a minor thing that is mostly a trick of the media. I know that good art markers are hard to come by, otherwise I'd suggest doing pages of simple large 3D forms like spheres, cones, and cubes with different textures to experiment with line length and thickness to achieve minimal overlap where you don't want it to be. Since they're so expensive though, I totally understand if the very thought of burning that much ink is upsetting.

Keep up the good work! I'm so glad to see some good full piece trad art on here. Most of the full works here are digital, so this is very refreshing.


Thank you for the insightful feedback, MahluaandMilk!  :)

Online MahluaandMilk

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Re: Ogono's Illustrations
« Reply #12 on: December 24, 2017, 05:02:25 PM »
Glad I could be helpful! I look forward to seeing more of your work soon (although holiday times can be chaotic. Take all the time you need.)

Offline Ogono

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Re: Ogono's Illustrations
« Reply #13 on: January 01, 2018, 12:45:32 PM »
Glad I could be helpful! I look forward to seeing more of your work soon (although holiday times can be chaotic. Take all the time you need.)

Take care, & Happy New year! :)

Offline Ogono

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Re: Ogono's Illustrations
« Reply #14 on: January 10, 2018, 10:37:30 AM »


Hunter X Hunter Fanart
« Last Edit: February 22, 2018, 07:42:50 PM by Ogono »